Diego Seated (1948) is free and yet constrained portrait of the artist’s brother. The freedom of Giacometti’s linework, for this painting, is constrained by box-like lines surrounding the sitter, and the multiple layers of paint that make up his signature linework. It’s difficult to tell whether the sitter was etched onto the canvas or etched out of the paint.
Le Palais des Merveilles (1907-1927) is a celebration of life and sexuality. The figures are the most significant component of the painting’s narrative, depicting the theatrics of life. There are nine women and one man, ten women if you include a small statuette which stands on the far right of the canvas. The skin tones of the women are varied, although mostly Caucasian, there is one black woman, who is gypsy-like, with each woman depicting her own character. These bare-breasted maidens, ooze with sexuality, with sexual connotations in the hands of many.